Альбомы исполнителя
Ah la vie !
2022 · альбом
Pour qui se prend-il ?
2022 · сингл
La rencontre
2021 · альбом
Jamais contente (Hommage à Georges Brassens)
2021 · сингл
Ensemble
2020 · альбом
Ensemble
2020 · сингл
Doucement doucement
2019 · сингл
Essayez Dieu
2019 · альбом
Et vous ça vous fait rire
2019 · сингл
On rêve on rêve
2019 · альбом
Pére prodigue (2019)
2019 · сингл
La fine fleur des Fleurs du Mal (Baudelaire)
2019 · альбом
Parenthèse
2019 · альбом
Ma nouvelle compilation
2017 · альбом
On n'est pas tout seul
2017 · альбом
Chez vous, chez nous
2016 · сингл
Dans la cour de l'école
2016 · альбом
La belle endormie (Charlie)
2015 · альбом
Au pays de Millet
2014 · альбом
Georges Chelon chante Brassens
2013 · альбом
Platinum collection
2012 · сборник
C'est passé vite
2011 · альбом
Mes préférences
2010 · альбом
Chercheurs d'eau
2010 · альбом
Père prodigue
2010 · альбом
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Биография
Georges Chelon is a French singer/songwriter who emerged in the mid-'60s to significant acclaim, and while his career underwent ups and downs, he remained active throughout the rest of the century and beyond. Born on January 4, 1943, in Marseilles, France, he made his recording debut in 1965 with the 45 rpm single "15, 20 et Plus" on EMI Pathé Marconi, followed later in the year by the full-length album Père Prodigue. From 1965 until 1971, he released new full-length recordings annually on the label, in addition to a steady stream of 45 rpm singles. His full-length releases from this period include 15, 20 et Plus (1966), Bobino 67 (1967), Tu Sais (1968), Sampa (1968), Chelon 1969 (1969), Vengeance (1970), and Olympia 71 (1971). He subsequently moved to the label Barclay and released albums with less frequency and to less success. Moreover, he changed his style somewhat in accordance with the times. His full-length releases from this period include Ouvrez les Portes de la Vie (1973), Si Demain (1975), Commencer à Revivre (1977), Tous les Deux...Comme Hier (1979), and Orange et Citron (1982). In the 1980s Chelon found his audience diminished and his commercial fortunes in question. After leaving Barclay, he returned to EMI Pathé Marconi for one album, Poète en l'An 2000 (1983); re-recorded a self-titled album's worth of his greatest hits, Georges Chelon (1987); and finally found a stable outpost for himself on the label EPM Musique, where he debuted in 1989 with L'Enfant du Liban. He remained active on EPM Musique throughout the remainder of the century and beyond, releasing latter-day albums with remarkable regularity, most notably a multi-volume series titled Charles Baudelaire: Les Fleurs du Mal that began in 2004. A comprehensive compilation of his late-'60s output on EMI Pathé Marconi, Suppose Que (2004), was released around this same time. ~ Jason Birchmeier, Rovi