Альбомы исполнителя
Music at the Time of Beaumarchais
2017 · альбом
The Voice of Emotion II
2014 · альбом
El Cant de la Sibil.la
2013 · альбом
La Capella Reial de Catalunya - 25th Anniversary
2013 · альбом
Pro Pacem
2012 · альбом
The Voice of Emotion
2012 · альбом
Monteverdi - Madrigali e lamenti
2011 · альбом
Mozart : Requiem
2011 · альбом
Songs Of The Millenial Catalonia
2011 · альбом
El Nuevo Mundo
2010 · альбом
Cançons De La Catalunya Millenaria
2009 · альбом
El Cant De La Sibillla I
2009 · альбом
El Canto De La Sibilla II
2009 · альбом
Tarquinio Merula: Arie E Capricci A Voce Sola
2009 · альбом
Jerusalem
2009 · альбом
La Barcha D'Amore
2008 · альбом
Ludi Musici - The Spirit of Dance
2007 · альбом
Christophorus Columbus - Lost Paradises
2006 · альбом
Lux Feminæ 900-1600
2006 · альбом
Du Temps & De L'Instant
2005 · альбом
Homenatge Al Misteri D'Elx - La Vespra
2004 · альбом
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Биография
Soprano Montserrat Figueras was an early music singer best known for her work with the group Hespèrion XX (now known as Hespèrion XXI). A member of a musical family, she studied singing as a young girl with Jordi Albareda, originally as part of her studies to be an actress. She joined a local chorus called Aleluya, and then, having developed an interest in early music, she joined Enris Gispert's Catalan early music ensemble Ars Musicae. In 1968, Figueras married Jordi Savall, who was then a viol player for Ars Musicae. Together they traveled to Basel, Switzerland, to study there in the Schola Cantorum Basiliensis and the Basle Music Academy. She, Savall, and keyboard player Ton Koopman recorded a successful LP called El barroco español. She and Savall, together with Lorenzo Alpert and Hopkinson Smith, then founded Hespèrion XX (which became Hespèrion XXI in 2000), specializing in early music of the Italian and Iberian peninsulas. She and Savall also founded La Capella Reial de Catalunya and Le Concert des Nations. Figueras frequently performed with La Capella Reial de la Catalunya and Hespèrion XXI. Her solo programs centered around repertory from the Renaissance and Baroque periods, but also included some modern works, as well as some Mozart. She made over 60 recordings, many with Savall and their ensembles.