Альбомы исполнителя
Flying Home: The Best Of The Verve Years
1994 · сборник
Illinois Jacquet Flies Again
1991 · альбом
The Blues; That's Me!
1991 · альбом
Loot To Boot
1990 · альбом
40's Stomps
2021 · альбом
The Jacquet Files, Vol. 2 (Big Band Rehearsal 1986)
2017 · альбом
Big Band Live in Berlin, 1987
2014 · альбом
The Top 50 Jazztunes
2013 · альбом
Jacquet Jumps
2011 · альбом
Best Songs - Illinois Jacquet, Vol. 1
2010 · альбом
Jacquet's Street (Nice, France 1976)
2008 · альбом
Bottoms Up
2007 · альбом
Jacquet's Got It
2005 · альбом
Jumpin' at Apollo
2002 · альбом
Похожие исполнители
Eddie "Lockjaw" Davis
Исполнитель
Rex Stewart
Исполнитель
Zoot Sims
Исполнитель
Buck Clayton
Исполнитель
Paul Gonsalves
Исполнитель
Wardell Gray
Исполнитель
Earl Hines
Исполнитель
Lionel Hampton
Исполнитель
Earl Bostic
Исполнитель
Slim Gaillard
Исполнитель
Roy Eldridge
Исполнитель
Charlie Barnet
Исполнитель
Cootie Williams
Исполнитель
Erskine Hawkins
Исполнитель
Benny Carter
Исполнитель
Jimmie Lunceford
Исполнитель
Andy Kirk
Исполнитель
Arnett Cobb
Исполнитель
Don Byas
Исполнитель
Johnny Hodges
Исполнитель
Биография
One of the great tenors, Illinois Jacquet's 1942 "Flying Home" solo is considered the first R&B sax solo, and spawned a full generation of younger tenors (including Joe Houston and Big Jay McNeely) who built their careers from his style, and practically from that one song. Jacquet, whose older brother Russell (1917-1990) was a trumpeter who sometimes played in his bands, grew up in Houston, and his tough tone and emotional sound defined the Texas tenor school. After playing locally, he moved to Los Angeles where, in 1941, he played with Floyd Ray. He was the star of Lionel Hampton's 1942 big band ("Flying Home" became a signature song for Jacquet, Hampton, and even Illinois Jacquet' successor Arnett Cobb), and also was with Cab Calloway (1943-1944) and well featured with Count Basie (1945-1946). Jacquet's playing at the first Jazz at the Philharmonic concert (1944) included a screaming solo on "Blues" that found him biting on his reed to achieve high-register effects; the crowd went wild. He repeated the idea during his appearance in the 1944 film short Jammin' the Blues. In 1945, Jacquet put together his own band, and both his recordings and live performances were quite exciting. He appeared with JATP on several tours in the 1950s, recorded steadily, and never really lost his popularity. In the 1960s, he sometimes doubled on bassoon (usually for a slow number such as "'Round Midnight") and it was an effective contrast to his stomping tenor. In the late '80s, Jacquet started leading an exciting part-time big band that only recorded one album, an Atlantic date from 1988. Through the years, Illinois Jacquet (whose occasional features on alto are quite influenced by Charlie Parker) has recorded as a leader for such labels as Apollo, Savoy, Aladdin, RCA, Verve, Mercury, Roulette, Epic, Argo, Prestige, Black Lion, Black & Blue, JRC, and Atlantic. Illinois Jacquet died on July 22, 2004. ~ Scott Yanow, Rovi