Альбомы исполнителя
Midnight at Minton's (Original 1941 Recordings)
1999 · альбом
Those Barcelona Days
1998 · альбом
Tenor Giant
1996 · альбом
Savoy Jam Party: The Savoy Sessions
1995 · альбом
Tenor God
2021 · альбом
All That Jazz, Vol. 135: Don Byas – Bopping Ballads
2021 · альбом
From Swing to Bop
2021 · альбом
Afternoon In Muzik
2020 · альбом
Don's Song
2020 · Мини-альбом
Laura
2016 · альбом
Ben Webster Meets Don Byas
2014 · альбом
Pierre Braslavsky - Don Byas, Jeunesse du jazz
2014 · альбом
Round About Midnight
2011 · альбом
In Paris
2010 · альбом
Don Byas
2009 · альбом
Amoureusement Vôtre
2007 · альбом
american swinging in paris
2003 · альбом
A Tribute To Cannonball
1961 · альбом
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Биография
One of the greatest of all tenor players, Don Byas' decision to move permanently to Europe in 1946 resulted in him being vastly underrated in jazz history books. His knowledge of chords rivalled Coleman Hawkins, and, due to their similarity in tones, Byas can be considered an extension of the elder tenor. He played with many top swing bands, including those of Lionel Hampton (1935), Buck Clayton (1936), Don Redman, Lucky Millinder, Andy Kirk (1939-1940), and most importantly Count Basie (1941-1943). An advanced swing stylist, Byas' playing looked toward bop. He jammed at Minton's Playhouse in the early '40s, appeared on 52nd Street with Dizzy Gillespie, and performed a pair of stunning duets with bassist Slam Stewart at a 1944 Town Hall concert. After recording extensively during 1945-1946 (often as a leader), Byas went to Europe with Don Redman's band, and (with the exception of a 1970 appearance at the Newport Jazz Festival) never came back to the U.S. He lived in France, the Netherlands, and Denmark; often appeared at festivals; and worked steadily. Whenever American players were touring, they would ask for Byas, who had opportunities to perform with Duke Ellington, Bud Powell, Kenny Clarke, Dizzy Gillespie, Jazz at the Philharmonic (including a recorded tenor battle with Hawkins and Stan Getz), Art Blakey, and (on a 1968 recording) Ben Webster. Byas also recorded often in the 1950s, but was largely forgotten in the U.S. by the time of his death. ~ Scott Yanow, Rovi