Альбомы исполнителя
Vitrola digital
2001 · альбом
Grandes Sucessos - Demetrius
2000 · альбом
All In The Mind
1997 · сингл
Buenos Dias Argentina / O Menino e o Pião
1970 · сингл
Meu Velho
1970 · сингл
Não Se Preocupe / Me Deixa
1978 · сингл
Quarantine Days
2020 · сингл
Heat
2019 · сингл
Spooky
2019 · сингл
Heart in My Pocket
2019 · сингл
Demetrius
2018 · альбом
In da Hood
2017 · сингл
Dayze
2017 · Мини-альбом
TFTI
2016 · альбом
What Must I Do?
2015 · сингл
Melancholia
2015 · сингл
Demetrius
2014 · альбом
Nothing but the Music
2013 · сингл
Simply Grand Music Presents: Demetrius
2011 · Мини-альбом
Yes We Can
2009 · сингл
Demetrius
2008 · альбом
O Ídolo Que Volta
2008 · альбом
Ídolo da Juventude
2008 · альбом
Viver por Viver
1968 · альбом
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Биография
Demétrius is one of the precursors of the Brazilian rock genre that appeared in the '80s. Writing songs in English and versions in Portuguese, he recorded eight LPs and CDs from 1961 to 1999 and had great popular success in the '60s and '70s. He wrote songs in English in the rock genre, like "Hold Me So Tight," recorded in the late '50s by Young. He had several hits in the '60s, like "A Bruxa" (Baby Santiago), "O Ritmo Da Chuva," his version of John Gummoe's "Rhythm of the Rain," and "Voltou a Carta" (his version of "Return to Sender," Elvis Presley's hit). In 1966, Wanderléa also had success in her re-recording of "Ternura," Demétrius' version of Estelle Levitt's "Somehow It Got To Be Tomorrow Today"; the song was incorporated to Wanderléa's image, as she became known as "Ternurinha." In the '70s, Demétrius continued to have success as a composer and interpreter, recording hits like "Ei, Meu Pai" and "Nas Voltas Do Mundo." His sertanejo (redneck) compositions were recorded by artists like Ari Toledo, also with success. ~ Alvaro Neder, Rovi