Альбомы исполнителя
Ma Rainey Vol. 2 (1924-1925)
1997 · альбом
Ma Rainey Vol. 3 (1925-1926)
1997 · альбом
Ma Rainey Vol. 4 (1926-1927)
1997 · альбом
1923-1928
1997 · альбом
The Best of Blues
2022 · сборник
Moonshine Blues
2021 · альбом
Booze and Blues
2021 · альбом
Stormy
2018 · альбом
See See Rider
2018 · сингл
Milestones of Legends - Female Blues, Vol. 2
2018 · альбом
Explaining the Blues
2015 · альбом
Ma Rainey
2011 · альбом
Blues Legends pres. Ma Rainey
2011 · альбом
Shave 'Em Dry Blues
2010 · альбом
Blues Greats
2009 · альбом
Blues Masters Vol. 17 (Ma Rainey)
2009 · альбом
See See Rider Blues (The Best Of)
2009 · сборник
Ma Rainey
2008 · альбом
Mother Of The Blues, CD A
2007 · альбом
Mother Of The Blues, CD B
2007 · альбом
Mother Of The Blues, CD C
2007 · альбом
Mother Of The Blues, CD D
2007 · альбом
Mother Of The Blues, CD E
2007 · альбом
An Introduction To Ma Rainey
2006 · альбом
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Биография
Ma Rainey wasn't the first blues singer to make records, but by all rights she should have been. In an era when women were the marquee names in blues, Rainey was once the most celebrated of all; the "Mother of the Blues" had been singing the music for more than 20 years before she made her recording debut on Paramount in 1923. With the advent of blues records, she became even more influential, immortalizing such songs as "See See Rider," "Bo-Weavil Blues," and "Ma Rainey's Black Bottom." Like the other classic blues divas, she had a repertoire of pop and minstrel songs as well as blues, but she maintained a heavier, tougher vocal delivery than the cabaret blues singers who followed. Rainey's records featured her with jug bands, guitar duos, and bluesmen such as Tampa Red and Blind Blake, in addition to the more customary horns-and-piano jazz-band accompaniment (occasionally including such luminaries as Louis Armstrong, Kid Ory, and Fletcher Henderson). Born and raised in Columbus, Georgia, Ma Rainey (born Gertrude Pridgett) began singing professionally when she was a teenager, performing with a number of minstrel and medicine shows. In 1904, she married William "Pa" Rainey and changed her name to Ma Rainey. The couple performed as "Rainey and Rainey, Assassinators of the Blues" and toured throughout the south, performing with several minstrel shows, circuses, and tent shows. According to legend, she gave a young Bessie Smith vocal lessons. By the early '20s, Rainey had become a featured performer on the Theater Owners' Booking Association circuit. In 1923, Rainey signed a contract with Paramount Records. Although her recording career lasted only a mere six years -- her final sessions were in 1928 -- she recorded over 100 songs and many of them, including "C.C. Rider" and "Bo Weavil Blues," became genuine blues classics. During these sessions, she was supported by some of the most talented blues and jazz musicians of her era, including Louis Armstrong, Fletcher Henderson, Coleman Hawkins, Buster Bailey, and Lovie Austin. Rainey's recordings and performances were extremely popular among Black audiences, particularly in the south. After reaching the height of her popularity in the late '20s, Rainey's career faded away by the early '30s as female blues singing became less popular with blues audiences. She retired from performing in 1933, settling down in her hometown of Columbus. In 1939, Rainey died of a heart attack. She left behind an immense recorded legacy, which continued to move and influence successive generations of blues, country, and rock & roll musicians. In 1983, Rainey was inducted into the Blues Foundation's Hall of Fame; seven years later, she was inducted to the Rock & Roll Hall of Fame. ~ Jim O'Neal & Stephen Thomas Erlewine, Rovi