Альбомы исполнителя
Gnosis
2022 · альбом
Gnosis
2022 · сингл
Betrayal
2022 · сингл
Conduit
2022 · сингл
Blood Year
2019 · альбом
Kohokia
2019 · сингл
Russian Circles | Audiotree Far Out
2019 · сингл
Milano
2019 · сингл
Arluck
2019 · сингл
Live at Dunk! Fest
2017 · альбом
Guidance
2016 · альбом
Afrika
2016 · сингл
Mota
2016 · сингл
Vorel
2016 · сингл
Memorial
2013 · альбом
Empros
2011 · альбом
Geneva
2009 · альбом
Station
2008 · альбом
Enter
2006 · альбом
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Биография
With their latest album Blood Year, Russian Circles forsake the sonic crossroads of divergent musical paths found on albums like Guidance and Memorial to offer up the most direct and forceful collection of songs in their discography. With Sullivan, Turncrantz, and Cook all residing in different states, Russian Circles have typically crafted their albums by piecing together song fragments and home recordings into meticulous texture-rich studio productions. But after seven tours in North American and five trips to Europe in support of 2016’s Guidance, the band made a conscious effort to approach the songs on Blood Year with the same organic feel of a live show. While it retains the dexterity, multi-faceted techniques, and dramatic compositions that have been a trademark of Russian Circles since day one, Blood Year fully embraces the most powerful aspects of the band’s repertoire. The Chicago trio have always explored the dynamics of volume and timbre, with their albums often vacillating between caustic attacks and blissful respites. From Mike Sullivan’s riff-fueled assaults, to Dave Turncrantz’s war machine rack and floor toms and Brian Cook’s meat grinding bass lines, the sound of Blood Year is that of a band unafraid to flaunt their hard-earned prowess. Russian Circles returned to the studio with Kurt Ballou to record Blood Year, but this time they tracked it in Chicago at Steve Albini’s Electrical Audio where previous albums Enter, Geneva, and Memorial were recorded.