Альбомы исполнителя
Naked Like Water
2023 · сингл
Greek Honey Slick
2023 · сингл
Did You Know
2023 · сингл
Salty Road Dogs Victory Anthem
2023 · сингл
No Words Left
2022 · сингл
GOLD
2022 · альбом
I'm Good at Not Crying
2022 · сингл
Mrs Calamari
2022 · сингл
Don't Forget You're Precious
2022 · сингл
I Was Not Sleeping
2020 · альбом
All Who Wonder Are Not Lost
2020 · сингл
Broken Tooth Skyline
2020 · сингл
Gull Communion
2020 · сингл
Behold a Black Wave
2020 · Мини-альбом
All of the Lights
2020 · сингл
Visit Croatia EP
2020 · Мини-альбом
Ode To Jazzman John Clarke
2020 · сингл
To Cy & Lee: Instrumentals, Vol. 1
2020 · альбом
What Do We Want
2018 · сингл
The Corner of a Sphere
2018 · альбом
They Put the Stars Far Away
2018 · сингл
Be Nice to People
2017 · сингл
Peach
2015 · альбом
The Jester
2013 · альбом
Copernicus - The Good Book of No
2012 · альбом
I Don't Know
2011 · сингл
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Биография
Gus Fairbairn, aka Alabaster DePlume, has a pocketful of phrases that he uses all the time whether he’s walking down the street or holding court with musicians and an audience. For a long time the Mancunian would tell anyone who’d listen that they were doing very well. More recently, it’s another phrase which has a similar effect and which belies his unwavering commitment to personal vulnerability and collective politics: “Don’t forget you’re precious.” A process that is people-first not product-first ensures that the music is unique; often gem-like. Alabaster DePlume’s songs are built on sonorous circular melodies and luminous tones that transmit calmness and generosity in warm waves – unless they’re raging against complacency and the everyday inhumanity of end times capitalism. Most importantly, he brings a valuable transparency to his work. “This is what I’m really doing,” he says. “I want to talk about why I’m doing this, and how I’m doing this.” His album Gold was recorded at London’s Total Refreshment Centre over two weeks. He invited a different set of musicians each day, playing the tunes to click so that DePlume, who also produced it, could cut the 17 hours of sessions together like a collage. As with all his sessions, he ensured that the musicians didn’t have enough time to rehearse the tunes, instead requiring them to tune into each other and to rely on each other to reach the end of a song. There was another rule: no listening back to sessions after recording.