Альбомы исполнителя
Don't You Wish
2023 · сингл
Our Night
2023 · сингл
Los Angeles Story
2023 · сингл
Chicago
2022 · сингл
Back On the Music!
2022 · альбом
Back On The Music!
2022 · сингл
Moving Through Circles
2022 · сингл
It Happens All The Time
2022 · сингл
No News No Blues
2022 · сингл
You Don't Have to Be Lonely (Paul Cherry Remix)
2020 · сингл
Flavour
2018 · альбом
Your Letter
2018 · сингл
Like Yesterday
2017 · сингл
On Top
2014 · Мини-альбом
Похожие исполнители
Reptaliens
Исполнитель
Swim Mountain
Исполнитель
Gold Celeste
Исполнитель
levitation room
Исполнитель
Mark Whalen
Исполнитель
Jerry Paper
Исполнитель
Babe Rainbow
Исполнитель
Jerkcurb
Исполнитель
Orions Belte
Исполнитель
Sugar Candy Mountain
Исполнитель
Winona Forever
Исполнитель
Video Age
Исполнитель
RALPH TV
Исполнитель
Post Animal
Исполнитель
Dumbo Gets Mad
Исполнитель
Mild High Club
Исполнитель
Sunbeam Sound Machine
Исполнитель
Boys Age
Исполнитель
Moses Gunn Collective
Исполнитель
Michael Seyer
Исполнитель
Биография
Through pining comes purpose. Paul Cherewick, monikered Paul Cherry, makes a departure from pining for an unrequited love on his debut LP Flavour toward the hunger for creative fulfillment on Back on the Music. “Bouncing off the bottom: this pattern is the problem...” is the melancholic opening line of the new album, a meandering meditation on the life of an artist: chasing inspiration, finding community, and the struggle to maintain both. Throughout the buoyant, alright-on-the-outside tracks that make up his second album, Cherry staggers and stumbles back into love with his life and craft. Music becomes personified inside Tootsie Roll, becoming an ugly, grinning trench coated villain plucked right out of a vintage Max Fleischer cartoon, cooing to the listener, “You know you want me. Take me, take me,” harmonizing over his own voice. Almost as if through excess, inhibition and precise self-analysis, Paul Cherry may find quiet. In the luxuriant arrangement of the title track, Back on the Music he sings, “You love to play, but it don’t pay. Feels like you’re caught in check mate.” Not everything fits neatly within the lines of these songs, as in the lonely, wobbling flute melody that carries us out of It Happens All the Time. Cherry shows us that often the path back to one’s self— disguised in this album as Music—is a wavering one.