Альбомы исполнителя
Side (Live At The Royal Concert Hall / 2022)
2023 · сингл
Sing (Live At The Royal Concert Hall / 2022)
2023 · сингл
The Invisible Band (Deluxe Edition)
2021 · альбом
Killer Queen (Preamble / Remastered 2021)
2021 · сингл
The Invisible Band Sessions
2021 · сингл
The Invisible Band Demos
2021 · сингл
Swing (Remastered 2021)
2021 · сингл
More Than Us (Original Version)
2021 · сингл
Nina's Song
2020 · сингл
10 Songs
2020 · альбом
Waving at the Window
2020 · Мини-альбом
All Fall Down
2020 · сингл
The Only Thing (feat. Susanna Hoffs)
2020 · сингл
A Ghost
2020 · сингл
Valentine
2020 · сингл
Kissing in the Wind
2019 · сингл
Live At Glastonbury ‘99
2019 · альбом
Nothing Ever Happens
2016 · сингл
Everything At Once
2016 · альбом
Mother
2013 · сингл
Where You Stand
2013 · альбом
Moving
2013 · сингл
Where You Stand
2013 · сингл
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Биография
At various points along the trajectory, Travis have sold millions of albums (just under three million of The Man Who in the UK alone); they’ve been the subject of an award-winning feature length documentary (Almost Fashionable) and Fran has elicited acclaim from Paul McCartney, Elton John and Graham Nash – songwriters whose ability to divine a timeless melody out of thin air has sustained them through the decades. ’10 Songs’ is an album that holds you in its own emotional microclimate at the outset and keeps you there. It’s also a grown-up record. ’10 Songs’ is a record about the way life comes at love and what love does to weather those challenges. “This is no rehearsal/This is the take,” sings Fran at the beginning of Waving At The Window, over an insistent piano hook, “Promises you once kept/Are going to break Every track on this album carries an even load. No passengers here. Nowhere to hide. “I write songs in an antiquated way,” explains their creator, “Sitting at the bottom of the bed, ‘pouring my simple sorrow to the sound hole and my knee’, as Joni Mitchell put it.” As a songwriter based in L.A., Fran Healy doesn’t need anyone to tell him this is no longer how it’s done. It’s far from uncommon for the credits on successful modern pop songs to feature upwards of ten writers. “It’s fine,” notes Fran, “Personally though, I’ll take ten songs written by one person over one song written by ten people. And if I feel that way, then surely someone else must do too.”