Альбомы исполнителя
Gordon, Lang & Wolfe: Lost Objects
2001 · альбом
Eno/Wyatt/Davies: Music for Airports
1998 · альбом
Autodreamographical Tales
2022 · альбом
Long Bus Ride
2021 · сингл
Memory Game
2020 · альбом
The Passion
2019 · альбом
More Field Recordings
2017 · альбом
Cloud River Mountain
2017 · альбом
Julia Wolfe: Anthracite Fields
2015 · альбом
Field Recordings
2015 · альбом
Julia Wolfe: Steel Hammer
2014 · альбом
Steel Hammer
2014 · альбом
Big Beautiful Dark and Scary
2012 · альбом
Music for Airports: Live
2011 · сборник
Music for Airports: Live
2011 · альбом
A Ballad for Many
2011 · альбом
Bang On A Can Meets Kyaw Kyaw Naing
2011 · альбом
Bang on Can Classics
2011 · альбом
Elida
2011 · альбом
Gigantic Dancing Human Machine
2011 · альбом
Glass: Music in Fifths & Two Pages
2011 · альбом
In C
2011 · альбом
In C
2011 · сингл
Renegade Heaven
2011 · альбом
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Биография
Formed in 1992, the Bang on a Can All-Stars are recognized worldwide for their ultra-dynamic live performances and recordings of today’s most innovative music. Freely crossing the boundaries between classical, jazz, rock, world and experimental music, this six-member amplified ensemble has consistently forged a distinct category-defying identity, taking music into uncharted territories. Performing each year throughout the U.S. and internationally, the All-Stars have shattered the definition of what concert music is today. Together, the All-Stars have worked in unprecedented close collaboration with some of the most important and inspiring musicians of our time, including Steve Reich, Ornette Coleman, Burmese circle drum master Kyaw Kyaw Naing, Tan Dun, DJ Spooky, and many more. The group’s celebrated projects include their landmark recordings of Brian Eno’s ambient classic Music for Airports and Terry Riley’s In C, as well as live performances with Philip Glass, Meredith Monk, Don Byron, Iva Bittova, Thurston Moore, Owen Pallett and others. The All-Stars were awarded Musical America’s Ensemble of the Year and have been heralded as “the country’s most important vehicle for contemporary music” by the San Francisco Chronicle.