Альбомы исполнителя
Bobby Hackett Sextet & Quintet
1999 · альбом
Easy To Love
2023 · альбом
Destiny of Love
2021 · альбом
At the Jazz Band Ball
2021 · альбом
Dixieland Giant
2020 · альбом
One of Us
2020 · альбом
Sentimental Blues
2020 · альбом
The Trumpet Player
2017 · альбом
The Best In His Field
2016 · альбом
Jazz Ultimate
2013 · альбом
Bobby Hackett - Volume 1
2012 · альбом
Afterglow - The Seductive Sounds of Bobby Hackett
2012 · альбом
Candlelight and Romance
2012 · альбом
Jazz In Hi-Fi
2011 · альбом
The Capitol Vaults Jazz Series (Remastered)
2011 · альбом
Jazz Foundations Vol. 8
2008 · альбом
Sweet Georgia Brown (The Best Of)
2008 · сборник
Live at Nick's and Boston
2006 · альбом
Live @ Roosevelt Grill V3
1970 · альбом
Live At the Roosevelt Grill
1970 · альбом
Live At the Roosevelt Grill 2
1970 · альбом
Live At the Roosevelt Grill,
1970 · альбом
Plays Tony Bennett's Greatest Hits
1966 · сборник
That Midnight Touch
1967 · альбом
Bobby/Billy/Brasil
1968 · альбом
The Swingin'est Gals in Town
1966 · альбом
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Биография
Bobby Hackett's mellow tone and melodic style offered a contrast to the brasher Dixieland-oriented trumpeters. Emphasizing his middle-register and lyricism, Hackett was a flexible soloist who actually sounded little like his main inspiration, Louis Armstrong. When Hackett first came up he was briefly known as "the new Bix" because of the similarity in his approach to that of Bix Beiderbecke, but very soon he developed his own distinctive sound. Originally a guitarist (which he doubled on until the mid-'40s), Hackett performed in local bands, and by 1936 was leading his own group. He moved to New York in 1937, played with Joe Marsala, appeared at Benny Goodman's 1938 Carnegie Hall concert (recreating Beiderbecke's solo on "I'm Coming Virginia"), recorded with Eddie Condon, and by 1939 had a short-lived big band. Hackett played briefly with Horace Heidt, and during 1941-1942 was with Glenn Miller's Orchestra, taking a famous solo on "String of Pearls." Next up was a stint with the Casa Loma Orchestra, and then he became a studio musician while still appearing with jazz groups. Hackett was a major asset at Louis Armstrong's 1947 Town Hall Concert, in the 1950s he was a star on Jackie Gleason's commercial but jazz-flavored mood music albums, and he recorded several times with Eddie Condon and Jack Teagarden. During 1956-1957, Hackett led an unusual group that sought to modernize Dixieland (using Dick Cary's arrangements and an unusual instrumentation), but that band did not catch on. Hackett recorded some commercial dates during 1959-1960 (including one set of Hawaiian songs and another in which he was backed by pipe organ), he worked with Benny Goodman (1962-1963); backed Tony Bennett in the mid-'60s; co-led a well-recorded quintet with Vic Dickenson (1968-1970); and made sessions with Jim Cullum, the World's Greatest Jazz Band, and even Dizzy Gillespie and Mary Lou Williams, remaining active up until his death. Among the many labels Bobby Hackett recorded for as a leader were Okeh (reissued by Epic), Commodore, Columbia, Epic, Capitol, Sesac, Verve, Project 3, Chiaroscuro, Flying Dutchman, and Honey Dew. ~ Scott Yanow, Rovi