Альбомы исполнителя
Drowning (in the drip)
2023 · сингл
Geology
2023 · сингл
Beacon
2023 · сингл
Into The Void
2022 · сингл
Reality (Bricksquash Remix)
2022 · сингл
Desolation Peak (NotLö Remix)
2021 · сингл
Confusion (IDHS Remix)
2021 · сингл
Feel Again
2021 · Мини-альбом
Comfort Zone
2021 · сингл
Desolation Peak
2021 · сингл
Confusion
2021 · сингл
Not A Trend
2021 · сингл
Too Faced Stylust Remix
2020 · сингл
Devour
2020 · сингл
Too Faced
2019 · сингл
Technique (Clockvice & Vorso Remix)
2019 · сингл
Curio Remixes
2018 · Мини-альбом
Curio Remixes
2018 · сингл
Burn
2018 · сингл
Final Frontier
2018 · сингл
Snake Charmer
2018 · сингл
Curio
2018 · Мини-альбом
Curio
2018 · сингл
HiLow (Charlesthefirst Remix)
2018 · сингл
Dark Crystal
2017 · сингл
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Биография
The man named after the land with 10,000 lakes has been a force on the bass scene for nearly a decade. Although he’s made a name for himself in the electronic music space, Minnesota’s (aka Christian Bauhofer) musical journey started with heavy doses of classic rock, emo and screamo. He was heavily influenced by the psychedelic style of rock legends including Pink Floyd and Led Zeppelin and cites them as inspiration for what would become his own sound. “The songs were journeys and I really like the epicness and the trip the song took you on,” he says. Spending most of his early life in Minnesota, It was not until Christian relocated to Santa Cruz, California in 2007 where he first discovered the underground electronic music scene via renegade parties that would be thrown in the redwoods of the Santa Cruz mountains. “That community / subculture was really my main influence into the music. A lot of other artists were immersed in the Santa Cruz community like, G Jones, The Glitch Mob and Eprom. Crews would bring out a generator, Dj equipment and a few lights and play music until 10AM. We were really blown away.” Christian would soon throw his own renegade parties in Santa Cruz to provide himself with a forum to DJ. “I wanted to play music, but could never get booked, so I teamed up with some friends and we started to throw are own parties. I feel very lucky to have experienced this underground scene before electronic music and hit the mainstream.”