Альбомы исполнителя
The Last Resort
2022 · альбом
King Bee
2021 · сингл
305
2020 · сингл
3:00AM
2020 · сингл
W.I.N.E.
2020 · сингл
Me and My Buddy
2020 · сингл
We Got the Stones
2020 · сингл
Walking Free
2020 · сингл
Way Down South
2020 · сингл
High Test Runnin'
2020 · сингл
Kodiak Nights
2019 · сингл
Everybody Wants a Little Rock n' roll
2019 · сингл
The House Is Rockin'
2019 · сингл
Momentary Moonlight / You People Are Drugs
2019 · сингл
Meth Lab Zoso Sticker (Limitless Extended Remix)
2019 · сингл
Meth Lab Zoso Sticker (Limitless Radio Remix)
2019 · сингл
Superfecta
2018 · альбом
VictorioUS
2018 · сингл
What Is America
2018 · сингл
Man in Black
2018 · сингл
The Warmth of the Season
2017 · сингл
Swagger
2017 · сингл
Livin in a Bitch of a World
2016 · альбом
Songs for a Voodoo Wedding
2014 · альбом
Flying High (With No I.D.)
2014 · сингл
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Биография
7Horse - “The Last Resort” Phil Leavitt and Joie Calio, the multi-instrumentalists behind 7Horse's self-described "post-punk dystopian blues," have been exploring unfenced territory together for 30 years. Kickstarting their partnership as members of dada — the platinum-selling alt-rockers behind '90s hits like "Dizz Knee Land" — they now pack a different punch with 7Horse, blurring the lines between '70s-sized rock & roll, Vegas showbiz glitz, and bluesy grit. It's a sound rooted in groove and Gretsch guitars, rhythm and riffs, desert-rock crunch and cinematic sweep. 7Horse's fifth album, The Last Resort, offers a snapshot of a boundary-breaking band in evolution. Since launching the band in 2011, Leavitt and Calio have saluted the glory days of American rock & roll both onstage and in the studio. Here, they make room for international flourishes, too. There's the bilingual bounce of "Non Sono Un Ragazzo," which finds drummer/frontman Leavitt recounting the band's introduction to film legend Martin Scorsese (who memorably used 7Horse's career-launching track "Meth Lab Zoso Sticker" in The Wolf of Wall Street) in both English and Italian. There's the Latin beat of "Hey Vámonos!," where flamenco guitars, polyphonic rhythm, and four-on-the-floor stomp all swirl together. At its core, though, The Last Resort charts its own musical geography - an open armed panorama of Western sound that targets the head, the heart and the hips.