Альбомы исполнителя
Red-Eye Effect
2023 · альбом
Eclipses (Deluxe Version)
2023 · альбом
Big Sleep
2022 · сингл
Glasshouse 2
2022 · альбом
One And The Same
2022 · сингл
Glasshouse 1
2022 · альбом
Eclipses
2022 · альбом
Daylight
2022 · сингл
Tides
2022 · сингл
Kokusho
2022 · сингл
Trouble
2022 · сингл
Ribbons
2022 · Мини-альбом
Your Name
2022 · сингл
Holding
2020 · альбом
Iridesce / Famous
2019 · сингл
Hailaker
2019 · альбом
Not Much
2019 · сингл
Coma / Smoke / I Could Be Back
2019 · сингл
Lissom
2018 · альбом
Heiress
2017 · альбом
Alps
2016 · сингл
Faux
2014 · сингл
Похожие исполнители
Freyr
Исполнитель
Hayden Calnin
Исполнитель
Vraell
Исполнитель
Boundary Run
Исполнитель
Jolé
Исполнитель
By The Coast
Исполнитель
S. Carey
Исполнитель
Jemima Coulter
Исполнитель
Hailaker
Исполнитель
Edwin Raphael
Исполнитель
Davis John Patton
Исполнитель
Lissom
Исполнитель
Portair
Исполнитель
Ed Tullett
Исполнитель
sød ven
Исполнитель
Axel Flóvent
Исполнитель
Hayden Everett
Исполнитель
Foreign Fields
Исполнитель
Runnner
Исполнитель
Биография
In the past decade, Ed Tullett has served as a primary songwriter, producer, and contributor on countless records, spanning five projects (including Novo Amor, Hailaker and Lissom). But with Lowswimmer - his first solo endeavour - he invites us into a world crafted from a vision that’s decidedly his own. Marked by the orchestral opulence Tullett is known for, but paired with a sense of novel intimacy, Lowswimmer’s ‘Red-Eye Effect’ is a collection of songs concerned as much with rearview reflection as they are a hopeful sense of venturing forward. On ‘Red-Eye Effect’ - featuring many longtime collaborators (S. Carey , Ali Lacey of Novo Amor, Ella Williams of Squirrel Flower, and Jemima Coulter of Hailaker) - Ed Tullett peers into the faded Polaroid of his past and constructs sonic worlds that echo with the auditory artifacts of his late 90s childhood. Synths blip and drone like the soundtrack to the earliest Millennial video game adventures, guitars jangle with the warmth they had resonating against the four bedroom walls of youth. But the nostalgia is paralleled by production that celebrates a future tense. Trumpets usher in the fanfare of the turning century, strings soar into extraterrestrial oblivion, reaching for contact with a forthcoming world. ‘On Red-Eye Effect’ we are always teetering on the edge of looking back and starting over.