Альбомы исполнителя
Live at the New Vic Bristol
2022 · альбом
Another Fish
2022 · альбом
Stranger In the Room (Take 2, Alternate Mix)
2021 · сингл
The Decca Years 1974 to 1977
2021 · альбом
Pleasures of the Street Live
2020 · альбом
Sweet Powder & Wrytree Drift
2020 · альбом
Growing Pains Volume 1 & 2
2020 · альбом
Plaindealer + The Twisted Road
2020 · альбом
Americana 1 & 2
2019 · альбом
True North
2019 · альбом
Truck Song
2019 · сингл
After All This Time
2019 · сингл
It’s Too Late
2018 · сингл
EB=MC²
2017 · альбом
50
2017 · альбом
Memphis in Winter
2017 · сингл
Sometimes You Just Drive
2016 · сингл
That Time of Night
2016 · сингл
Lescudjack
2016 · сингл
Journeyman
2015 · альбом
Fish
2015 · альбом
The Man Who Hated Mornings
2015 · альбом
Deal Gone Down
2015 · альбом
Savage Amusement (Deluxe Version)
2015 · альбом
Playing Guitar the Easy Way
2014 · альбом
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Биография
Veteran British songwriter Michael Chapman ranks among the innovative midcentury English guitarists—Davey Graham, Richard Thompson, and Michael’s old friend Mike Cooper are others—who transposed the atmosphere and syntax of the blues to a British context through reinvention and deconstruction rather than imitation. But Chapman uniquely deploys his liquid virtuosity and his resonant, slurred Yorkshire burr as vehicles for his mournful (and often barbed) musings on the pleasures and perils of hard living. His music feels suffused with the crooked logic, unfulfilled longing, and existential danger of dreams, shaded with his own wry sensibility of Northern darkness. Like a peaty whiskey (or Bob Dylan), the smoky gravitas of his playing and singing has grown more trenchant and entrenched with age; no one else sounds like him. It’s difficult not to describe Michael’s long career and his vast, masterful body of work obliquely, by reeling off his musical genealogy, the astounding roll call of collaborators, comrades, and disciples with whom he’s shared stages, studios, and his sturdy songs. His emergence in 1967, alongside Wizz Jones, as a self-taught jazz freak, recovering art-school student, and part-time photography teacher on the Cornish folk circuit preceded a series of classic late 1960s and ’70s albums for Harvest, Deram, and Decca. (But whatever you do, don’t call him a folkie; he feels more kinship with the improvisatory outer orbits of jazz, blues, and the avant-garde.)