Sarah Shook & the Disarmers

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When Sidelong, Sarah Shook & the Disarmers’ debut album, was released in early 2017, it quickly earned kudos for its blast of fresh, fierce honesty and sly wit. It was a welcome new voice in a genre too often mired in the staid and conventional. And while that record may have come to many as a surprise, 2018's follow-up, Years, solidifies the point: Sarah Shook & the Disarmers have moved from getting people’s attention to commanding it. 
 North Carolina’s Sarah Shook sings with a conviction and hard honesty sorely lacking in much of today’s Americana landscape. Always passionate, at times profane, Sarah stalks/walks the line between vulnerable and menacing, their voice strong and uneasy, country classic but with contemporary, earthy tension. You can hear in their voice what they've seen; world weary, lessons learned—or not—but always defiant. Writing with a blunt urgency, Sarah's lyrics are in turn smart, funny, mean, and above all, uncompromising. Sly turns of phrase so spot on they feel as old and true as a hymn. Anger that's as confrontational as it is concise. Humor that's as wry and resigned as a park bench prophet. 
 The Disarmers hit all the sweet spots from Nashville’s Lower Broad to Bakersfield and take Sarah's unflinching tales out for some late-night kicks. At times, it’s as simple and muscular as Luther Perkins’ boom-chicka-boom, or as downtown as Johnny Thunders. The Disarmers keep in the pocket, tight and tough. 
 This is a new voice for a new country.