Альбомы исполнителя
Die geistliche Nachtigall
1999 · альбом
Pergolesi-Salve regina-Stabat mater
1999 · альбом
Ockeghem: Sacred Music
1998 · альбом
Biber & Fux: Chamber Works
2022 · альбом
Selección Clásicos - Chopin, Beethoven, Haydn
2015 · сборник
Selección Clásicos - Vivaldi, Mozart, Mendelssohn
2015 · сборник
Gabrieli: Canzoni et Sonate
2014 · альбом
Beyond Bach – other music from his time
2013 · сборник
Glogauer Liederbuch
2012 · альбом
Dances of the Renaissance
2011 · альбом
Troubadours
2009 · альбом
Sacred Music At The Vienna Court Chapel
2008 · альбом
Albinoni: Nascimento De L'Aurora (Il)
2007 · альбом
Christmas Music (Hungarian)
2006 · альбом
Molière
2005 · альбом
Laber, H. Von: Vocal Music (Jagd Nach Liebe)
2005 · альбом
Laudate Pueri - Baroque Christmas
2004 · альбом
Works For Clavichord Vol. 2
2003 · альбом
Late Gothic and Renaissance Masterworks Vol. 1
2003 · альбом
Guillaume Dufay
2002 · альбом
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Биография
"Lively authenticity" is one commentator's description of René Clemencic's musical performance aesthetic. The Viennese-born recorder player, composer, teacher, and conductor has sought this authentic mode of musical expression in an extremely wide range of musical experiences. Trained as a recorder player and keyboardist, earning a Ph.D. from Vienna University in 1956, Clemencic performs on a variety of early flutes, recorders, and other woodwind instruments. As an expansion of his instrumental career, Clemencic has founded two ensembles for early music in Vienna (a city which, in the 1950s, was widely acknowledged as the world's capital for historical performance): Musica Antiqua in 1958 and the Clemencic Consort in 1968. Also a teacher, he is a member of the Accademia Filharmonica Romana, frequently appearing in Siena to teach at the Accademia Musicale Chigiana. He maintains a large personal collection of early musical instruments. Clemencic's own compositions reflect his performing tastes and include music for recorders and oratorios in ancient languages (Greek and Hebrew). Clemencic's catalog of performance projects is both broad and prolific. At one temporal pole is his own experimental compositions. At the other, his ensemble the Clemencic Consort has brought to life several major repertories of the high Middle Ages, from the Play of Daniel and Cantigas de Santa Maria to a fiery presentation of the Roman de Fauvel. Very frequently, the group explores the use of improvisation within these repertoires. This allows Clemencic a very rich, sonic, and performative effect, most notable in a Spanish-Moorish flavor to his interpretation of Troubador lyrics. He has also widely recorded in the early Netherlandish Renaissance of Dufay, Ockeghem, and Obrecht, and in a wide variety of courtly and popular early dance styles. Finally, Clemencic has championed a number of neglected early operatic works, even producing fully staged versions of works by Peri, Draghi, Fux, Jean-Jacques Rousseau, and the Emperor Leopold I.