Альбомы исполнителя
Forever Means
2023 · Мини-альбом
Forever Means
2023 · сингл
Nothing's Free
2023 · сингл
Big Time
2022 · сингл
Big Time
2022 · альбом
Something on Your Mind
2022 · сингл
Aisles
2021 · Мини-альбом
Like I Used To (Acoustic Version)
2021 · сингл
Like I Used To
2021 · сингл
Song of the Lark and Other Far Memories
2021 · альбом
Don't (Just) Vote
2020 · сингл
Mr. Lonely
2020 · сингл
Whole New Mess
2020 · альбом
New Love Cassette (Mark Ronson Remix)
2020 · сингл
All Mirrors (Johnny Jewel remix)
2020 · сингл
All Mirrors
2019 · альбом
Phases
2017 · альбом
MY WOMAN
2016 · альбом
Burn Your Fire For No Witness (Deluxe Edition)
2014 · альбом
Hi-Five
2014 · сингл
Forgiven/Forgotten
2013 · сингл
Sleepwalker
2013 · сингл
Half Way Home
2012 · альбом
Miracle of Love: A Bathetic Records Compilation
2012 · сборник
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Биография
Fresh grief, like fresh love, has a way of sharpening our vision and bringing on painful clarifications. No matter how temporary these states may be the vulnerability and transformation they demand can overpower the strongest among us. Then there are the rare, fertile moments when both occur, when mourning and limerence heighten, complicate and explain each other; the songs that comprise Angel Olsen’s Big Time were forged in such whiplash. Big Time is an album about the expansive power of new love, but this brightness is tempered by a profound sense of loss. During Olsen’s process of coming to terms with her queerness and confronting the traumas that had been keeping her from fully accepting herself, she felt it was time to come out to her parents, a hurdle she’d avoided for some time. “Finally at the ripe age of 34, I was free to be me,” she said. Three days later her father died and shortly after her mother passed away. The shards of this grief are scattered throughout the album. Three weeks after her mother’s funeral she was in the studio recording this wise and tender new album. Loss has long been a subject of Olsen’s elegiac songs, but few can write elegies with quite the reckless energy as she. If that bursting-at-the-seams energy has come to seem intractable to her work, this album proves Olsen is now writing from a more rooted place of clarity. These are songs not just about transformational mourning, but of finding freedom and joy in the privations as they come.