Альбомы исполнителя
The Concert at Hunter College
2023 · альбом
Falla, Turina & Montsalvatge
2023 · альбом
Soler: Piano Sonatas
2023 · альбом
Alicia de Larrocha plays Mozart
2023 · сборник
Alicia de Larrocha: Chopin & Bach
2023 · альбом
Legendary Pianists - Famous Piano Concertos
2023 · сборник
Alicia de Larrocha: Schumann & Schubert
2023 · сборник
Albéniz: Iberia, B. 47
2021 · альбом
Grandi Pianisti Alicia de Larrocha
2021 · сборник
Piano 101
2020 · сборник
Mozart & Beethoven: Piano Concertos
2016 · альбом
Mozart & Beethoven: Piano Concertos
2016 · альбом
Alicia de Larrocha: Pecados de Juventud
2015 · альбом
Granados: Tonadillas & Amatorias
2012 · альбом
The Liszt Legacy
2011 · альбом
Icon: Alicia De Larrocha
2010 · альбом
Mozart: Piano Concertos Nos.24-27
2010 · альбом
Albéniz: Iberia, Granados, Goyescas
2006 · альбом
Òscar Esplà: Sonata del Sur
2004 · альбом
Granados
2003 · альбом
The Art of Alicia de Larrocha
2003 · альбом
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Биография
Alicia de Larrocha's greatest contribution as a musician was her unrivaled advocacy of Spanish and Catalonian piano music. Her interpretations of the music of Albéniz, Granados, Falla, Mompou (a lifelong friend who dedicated several works to her), and Montsalvatge were universally described as brilliant, authentic, and masterful in tonal color, texture, and rhythm. She was also highly regarded for her recordings of Mozart and French Impressionist music. She began her career before the age of six with a solo recital, followed by her orchestral debut at the age of 11 performing Mozart's "Coronation" Concerto (K. 537) with the Orquesta Sinfónica de Madrid. She studied with Frank Marshall at his Academia Marshall and also studied music theory with Ricardo Lamote de Gignon. Her adult career began in 1940, but she did not make any international tours until 1947, when she first toured Europe. In 1953, she premiered Montsalvatge's Concierto breve, which is dedicated to her, and also made her first visit to England. Her first appearance in the U.S. was in 1955 with the Los Angeles Philharmonic. After that, she began performing around the world, working with such artists as Victoria de Los Angeles, Montserrat Caballé, the Guarneri and Tokyo String Quartets, Sir Colin Davis, Rafael Frühbeck de Burgos, Kent Nagano, and Gerard Schwarz. She even performed Poulenc's Concerto for two pianos with the composer at the second piano. In addition to her performing, she took on the directorship of the Academia Marshall in 1959. Her recordings, particularly of Albéniz and Granados, have received numerous prizes, including Grammys, the Edison Prize, the Grand Prix du Disques, and the Deutsche Schallplatten Prize. She herself was awarded the Paderewski Memorial Medal and the Principe de Asturias prize, among others, and was recognized for her talents by the city of Barcelona, the Spanish and French governments, and UNESCO. She continued to perform until her 80th year. After breaking her hip in 2007, she suffered an overall decline in health, and died in 2009.