Альбомы исполнителя
Guddu (Original Motion Picture Soundtrack)
1995 · альбом
Tarz
1993 · альбом
Dhwani (Original Motion Picture Soundtrack)
1988 · альбом
Paan Khaye Saiyan Hamaar (Original Motion Picture Soundtrack)
1984 · Мини-альбом
Dharam Kanta (Original Motion Picture Soundtrack)
1982 · альбом
Chambal Ki Raani (Original Motion Picture Soundtrack)
1979 · Мини-альбом
Aaina (Original Motion Picture Soundtrack)
1977 · Мини-альбом
Sunehra Sansar (Original Motion Picture Soundtrack)
1975 · альбом
Mere Mehboob - Jhankar Beats
2023 · Мини-альбом
Baiju Bawra (Original Motion Picture Soundtrack)
2023 · альбом
Mughal-E-Azam (Original Motion Picture Soundtrack)
2023 · альбом
Forsake
2023 · сингл
Shadi Karem Muskanwa Se
2023 · сингл
Desh Begaana
2023 · сингл
Ishq Ki Boondein
2023 · сингл
Shahadat Hussain Ki
2022 · альбом
20 Movie Soundtracks
2022 · альбом
Shahjehan
2021 · Мини-альбом
Hits Of K. L. Saigal - Vol-2
2020 · альбом
Mughal-E-Azam (original Motion Picture Soundtrack)
2013 · альбом
Похожие исполнители
Hemant Kumar
Исполнитель
Geeta Dutt
Исполнитель
Shankar Jaikishan
Исполнитель
Talat Mahmood
Исполнитель
Uma Devi
Исполнитель
Suman Kalyanpur
Исполнитель
Laxmikant–Pyarelal
Исполнитель
Bhupinder Singh
Исполнитель
Khayyam
Исполнитель
S. D. Burman
Исполнитель
Suraiya
Исполнитель
Vasant Desai
Исполнитель
Kalyanji-Anandji
Исполнитель
Биография
One of India's great film soundtrack composers, Naushad spanned the history of Indian film from the silent era to the modern movies of Dilip Kumar. His background music and songs have been heard in such influential films as Baiju Bawra, Andaz, and Mela. His soundtracks, however, have been criticized for their overly polished approach. Although his score for 100 chorus singers was a major factor in the commercial success of Mohabbet Zindabad, he was denied an award by the editor of Filmfare for being "too refined and classical." Music has played an essential role throughout Naushad's life. As a youngster, he was mesmerized by the great qawwals and musicians that he heard at the annual fair in Barabanki. He spent countless hours sitting by the feet of a flute player from Bareilly, listening and absorbing what he heard. Securing a position with the small orchestra that accompanied silent films at the Royal Theater in Lucknow, he learned the techniques needed for composing effective background music for the cinema. He strengthened his skills through studies with Ustad Baban Khan and Ustad Yusuf Khan. Despite his obvious passion for music, Naushad's father frowned on music as a career choice. Forced to decide between music and his father's wishes, he left home and headed for Bombay. Reaching the large city in 1937, he stayed briefly with an acquaintance at Colaba before moving to Dadar. Determined to break into the competitive world of film score composing, he slept on a footpath opposite the Broadway Theater and waited for an opportunity to arise. Although he took a job assisting music director Ustad Jhande Khan, the film they worked on went unreleased and he soon found himself unemployed. A job at Ranjit Studio, assisting Khemchand, fared no better as he found that the musicians were highly undisciplined and refused to follow the direction of an assistant music director. Resigning from his position at Ranjit studios, Naushad worked as an assistant to a series of music directors including A. R. Kardar and P. N. Madhok. His breakthrough came in 1941, when he became a full-fledged music director for Prem Nagar. His earliest success came with his symphonic soundtrack for the film Baiju Bawra. Premiered in 1953 at the Broadway Theater, the soundtrack became a major hit. ~ Craig Harris, Rovi