Альбомы исполнителя
Black Sea (Art Project)
2000 · альбом
Karnataka
2000 · альбом
Mehteran
2000 · альбом
Daburkas & Zournas
2000 · альбом
Kuzeyden Güneye Yansımalar
2000 · альбом
Magnetic Band
2000 · альбом
Karsilama
1999 · альбом
Kutlama
1998 · альбом
Karşılama
1998 · альбом
Zikir
1998 · альбом
Silver Hand
1997 · альбом
Mishram
1996 · альбом
Transparent Dervish
1996 · альбом
Fish Market
1995 · альбом
Magnet Dance
1995 · альбом
Green Wave
1993 · альбом
Fis Fis Tziganes
1991 · альбом
Magnetic Dance
1990 · альбом
Okay Temiz – Pohjantahti & Oriental Wind
2022 · альбом
Şelale
2021 · альбом
Balkan Art / Yaşamın Ritmi (The Rhythm of Life)
2010 · альбом
High Fly
2009 · альбом
Yihhuu
2007 · альбом
Okay Temiz Ve Ritm Atölyesi
2002 · альбом
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Биография
Born in Istanbul in 1939, Okay Temiz was influenced early by his mother, Naciye, who was classically schooled in music. Playing professionally since 1955, Temiz studied at the Ankara Conservatory and at the Tophane Art Institute to learn to build his own unique instruments. After meeting Maffy Falay and Don Cherry, he settled in Sweden; with Cherry and bassist Johnny Dyani he toured the U.S. and Europe (Live in Ankara, Sonet 1971). The group Xaba, with Dyani and trumpeter Mongezi Feza, was founded in 1972 (Rejoice, Cadillac 1972; Music for Xaba, Sonet 1972; Music for Xaba 2, Sonet 1979). In 1974, Temiz created his own Oriental Wind, widely using Turkish instruments such as ney and gayda (played by Haci Tekbilek), zurna, kaval, ud, saz, and sipsi. For some performances, his mother joined the group. He always featured Turkish musicians in order to help them gain international recognition, and kept strong ties with his homeland; his all-star CD Zikir (Ada 1981) features the great ney player Aka Gündüz, pianist Tuna Otenel, and top bassist/arranger Onno Tunc, while Karsilama (Ada) is a glorified, exciting version of the percussion/zurna music accompanying wedding parties in Western Turkey. In 1991 and 1992, he released Fis Fis Tziganes (Label La Lichere) with a group of gypsy musicians from Istanbul, and Green Wave (Uzelli); in 1993, with his Magnetic Band (Ano Kato, 1995), he added South African rhythms to his palette. After living for almost 30 years abroad, the new, more open cultural climate and the crop of younger musicians coming up motivated him to return to Turkey in 1998. He has a very intense schedule of teaching and performing there, often guesting in the most prestigious orchestras or creating his own projects that feature his invented instruments, like the hand-made copper drums, the Magic Pyramid, and Artemiz made with camel and sheep bells. ~ Francesco Martinelli, Rovi