Альбомы исполнителя
NOW 現在
1999 · альбом
聽健 16首廣東精選
1999 · альбом
至愛吾愛
1999 · альбом
少年 The Younger Me
2019 · альбом
周華健/張大春 原創音樂劇 賽貂蟬
2019 · альбом
古董局中局 (影视剧原声带)
2019 · альбом
橙紅年代 (電視劇《橙紅年代》同名歌曲)
2018 · сингл
流浪的終點
2018 · сингл
東方之珠(II) 在我生命中的每一天
2017 · сингл
江湖晚
2017 · сингл
已讀不回
2015 · сингл
「水滸三部曲」 原創音樂選輯
2015 · альбом
江湖
2013 · альбом
周華健 & 蘇慧倫2013全新合唱曲第一彈 不可能是不可能的事
2013 · сингл
周華健 & 蘇慧倫2013全新合唱曲第二彈 瀟瀟雨未歇
2013 · сингл
妙手空空 (電影"十二生肖"預告片主題曲)
2012 · сингл
花旦
2011 · альбом
花旦
2011 · альбом
拼了
2006 · сингл
雨人
2006 · альбом
DSD Collections
2004 · альбом
周華健 周而復始 Keep Wakin 1987-2002
2003 · сборник
一起吃苦的幸福
2003 · альбом
滾石香港黃金十年-周華健精選
2003 · альбом
周華健 & friends
2001 · альбом
忘憂草
2001 · альбом
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Биография
b. c.1960, China. Justifiably ranked as China’s top singer-songwriter, since the mid-80s Chau has produced over 20 number 1 albums in the world’s most populous market. Capable of singing in Mandarin Chinese, English or Cantonese, each of these releases has been a million-seller worldwide. His concerts regularly break attendance records at performances throughout the Asian continent, from Hong Kong and Singapore to Taiwan and his native China. A shower of awards have accompanied his every move, and it is doubtful whether any other music artist is as readily recognizable throughout Asia. His nickname, Killer Of Heavenly Kings, arose from an article in a Hong Kong magazine. At the time his second Cantonese album, You Stand By Me, was selling exponentially in that territory, displacing the leading popular music artists who had become known as the ‘four heavenly kings’. Much of this success can be put down to Chau’s prolific ability to write songs - his albums contain music almost exclusively written, played and sung by himself, helping to break the grip pop singers have long held on the Chinese market. He began singing in the school choir, before listening to western records by the Beatles (‘for me the definition of popular music’) and Simon And Garfunkel - artists who would become his primary influences alongside domestic singers such as Cui Jian. In particular the basic, unaccompanied guitar sound of Paul Simon’s work is still reflected in Chau’s live shows, where he eschews the more melodramatic properties of Chinese stage presentation in favour of a simple and intimate recital of his work.