Альбомы исполнителя
Diablos de Chuao
2023 · сингл
Meridian Brothers & El Grupo Renacimiento
2022 · альбом
La mujer sin corazón
2022 · сингл
Triste son
2022 · сингл
Metamorfosis
2022 · сингл
Paz en la Tierra
2021 · альбом
La Secta
2021 · сингл
Pensando en Mi Morena
2021 · сингл
Alas Rotas (Meridian Brothers Remix)
2021 · сингл
Codeina
2020 · сингл
Cumbia siglo XXI
2020 · альбом
Cumbia de la fuente
2020 · сингл
Los Golpeadores de la cumbia
2020 · сингл
Puya del empresario
2020 · сингл
¿Dónde Estás María?
2017 · альбом
Meridian Brothers Remix Los Wembler's
2017 · сингл
El Advenimiento del Castillo Mujer
2016 · альбом
Los Suicidas
2015 · альбом
Salvadora Robot
2014 · альбом
Niebla Morada (Purple Haze)
2013 · сингл
Desesperanza
2012 · альбом
Meridian Brothers Vii
2012 · альбом
Sonora3/Meridian Brothers
2008 · альбом
Похожие исполнители
Ondatrópica
Исполнитель
Los Gaiteros de San Jacinto
Исполнитель
Chicha Libre
Исполнитель
Velandia y La Tigra
Исполнитель
Julián Mayorga
Исполнитель
Los Destellos
Исполнитель
Suricato
Исполнитель
Lucrecia Dalt
Исполнитель
Juaneco Y Su Combo
Исполнитель
Combo Chimbita
Исполнитель
Chancha Via Circuito
Исполнитель
Elia y Elizabeth
Исполнитель
Frente Cumbiero
Исполнитель
Биография
Bogota's the Meridian Brothers are the creation of Eblis Álvarez, who writes, arranges, produces, plays, and sings everything on their recordings, though when the band plays live he is aided by other musicians. Their music is almost unclassifiable, a bracing meld of electronic and organic instruments, influenced by Latin rock, psychedelia, Frank Zappa, The Residents, modern vanguard electronic music, and South American and Caribbean folk traditions and rhythms. Created in Bogota, Colombia in 1998, Álvarez, the son of biologists, was a key mover in the city's experimental music scene. He was heavily influenced by psychedelic Latin rock -- primarily from Argentina -- and was seeking new ways of melding instrumental playing with electronic production techniques. He made early recordings that were distributed locally on cassette. In 1999, he joined Mario Galeano's Ensamble Polifónico Vallenato as a guitarist. The group's innovative interpretation of traditional Colombian and tropical music and Latin rhythms influenced him greatly. In 2000, he moved to Denmark, where he studied at the Royal Danish Academy of Music and the DIEM (Danish Institute of Electronic Music), learning advanced editing and signal-processing techniques. He didn't return to Bogota until 2005; he discovered the country's music scene ripe with a new generation of musicians exploring cumbia, vallenato, salsa, and currulao. The Meridian Brothers V appeared in 2005 on spotify:search:label%3A%22la+Distritofonica%22 , a completely vanguard tropi-punk exercise that set out Álvarez's vision of dissonant electronic textures wedded to simple, yet fragmented melodies, canciones, and polkas. Meridian Brothers VI followed in 2006 as a wide-ranging evocation of Colombian sounds from the late '60s and '70s as they met with Nigerian highlife, Ethiopian pop, and modern Colombian and Peruvian cumbia in the studio. He formed a live touring band that included percussionist Damien Ponce, Maria Valencia on reeds and winds, Alejandro Forero on keyboards, and bassist Cesar Quevedo; Álvarez played guitar and sang. Meridian Brothers VII was released in 2007, and relied more heavily on the sounds of vintage Latin rock, champeta, surf, jazz, and electronica, all the while retaining the roots of cumbia and tropical. After South American and European tours, Álvarez and the Meridians recorded Desesperanza, which was issued by spotify:search:label%3A%22Soundway%22 in 2012. It was a fever dream of a recording that delved exclusively into salsa and tropical music, with a vast array of electronic, acoustic, and editing techniques. A compilation entitled Devoción (Works 2005-2011) was released by spotify:search:label%3A%22Staubgold%22 in 2013. The Meridian Brothers toured hard while Álvarez continued to plumb the depths of experimentation in both electronics and pan-Latin sounds and international pop musics. A series of singles appeared over the next two years on spotify:search:label%3A%22Names+You+Can+Trust%22 and spotify:search:label%3A%22Soundway%22 , culminating in the release of Salvadora Robot, an album that wed psychedelia, quick edits, loops, Dominican merengue, cumbia, and salsa. It was issued by spotify:search:label%3A%22Soundway%22 in June of 2014. Álvarez and his band toured festivals in Latin America and Europe before heading back into the recording studio. The next Meridian Brothers offering was the eight-song Los Suicidas, the first album in a trilogy. It was inspired by Colombian Hammond organ legend Jaime Llano González, who was famous for playing his country's traditional music -- pasillos, bambucos, cumbias, etc. -- combined and juxtaposed with foreign rhythms like foxtrots and waltzes, all in an ambient style. But the Meridians did it in their own outrageous, warmly humorous way, as evidenced by the first single "Vertigo – Bolero." It was recorded to resemble an 8-bit chiptune. Los Suicidas was issued in November of 2015. The set appeared on numerous end-of-year best lists. After touring the U.S., Europe. and many countries in South America, Álvarez went back into hibernation to do more research and sonic experimenting. In late 2017, the Meridian Brothers emerged with the full-length Donde Estas Maria on spotify:search:label%3A%22Soundway%22 . Though credited to the band, Álvarez worked alone in the studio to create "a kind of journey from Argentina through to Mexico" in which he traced the fractured, complex history, development, and spread of cumbia from one continent to another. ~ Thom Jurek, Rovi