Альбомы исполнителя
Angels In Harlem
1992 · альбом
Sittin' In With Smokey Hogg
1991 · альбом
Come on Home - the Post-War Texas Blues
2023 · альбом
Anthology: The Deluxe Collection (Remastered)
2021 · альбом
Smokey Hogg - The Singles Collection
2020 · сборник
Misery Blues
2018 · сингл
Change Your Ways
2012 · альбом
Похожие исполнители
Sleepy John Estes
Исполнитель
Eddie Taylor
Исполнитель
Roosevelt Sykes
Исполнитель
Tommy McClennan
Исполнитель
Tampa Red
Исполнитель
Texas Alexander
Исполнитель
Robert Nighthawk
Исполнитель
Pee Wee Crayton
Исполнитель
Lowell Fulson
Исполнитель
Homesick James
Исполнитель
Frankie Lee Sims
Исполнитель
Robert Lockwood, Jr.
Исполнитель
Sunnyland Slim
Исполнитель
Guitar Slim
Исполнитель
Jazz Gillum
Исполнитель
Willie Mabon
Исполнитель
Биография
b. Andrew Hogg, 27 January 1914, Westconnie, Texas, USA, d. 1 May 1960, McKinney, Texas. USA. Born in north-east Texas, Smokey came from a clan that included blues singers Lightnin’ Hopkins and John Hogg. He learned to play the guitar and piano early in life under the instruction of his father, Frank. One of seven children, he looked upon music as a means of escape from labor in the fields. He sang around Dallas and Greenville and was popular enough to be known as Little Peetie Wheatstraw after his idol. He played in clubs with men such as B.K. Turner (Black Aces) and D.C. Bender. In 1937 he recorded two tracks for Decca Records, which, although much valued by collectors, made no impression on the blues-buying public of the time. During World War II he was drafted and served in the US Army, but by 1947 he was in Los Angeles, where he recorded for the Exclusive label, again without much success. His breakthrough came after he had moved back to Texas where he recorded ‘Too Many Drivers’, released under Modern Records in 1947. Back in Los Angeles, but still for Modern, he recorded his biggest hit, ‘Little School Girl’. Now established, he began, like many of his contemporaries, to hop from label to label, recording for Specialty, Imperial, SIW, Mercury and many smaller concerns. He enjoyed a good deal of popularity, especially with older fans, and this allowed him to survive the initial impact of rock ‘n’ roll. Hogg’s work seems to be something of an acquired taste and collectors are divided quite violently when judging its worth. He had no such problems with his Black audience when his rural blues were sung to a small (often saxophone-led) band accompaniment and were appearing on labels from Texas to the coast.