Альбомы исполнителя
Lo-fi Nu Jazz, Vol. 2
2000 · альбом
The Symetric Guy + Bela Lugosi's Dead
2022 · Мини-альбом
Pray the Lord (Rubin Steiner Remix)
2022 · сингл
Fête
2022 · альбом
Say Hello to the Dawn of Paradox
2019 · альбом
Girls
2019 · сингл
Carnival on Mercury
2016 · сингл
Uranus Samba
2016 · сингл
Vive l'electricité de la pensée humaine
2016 · альбом
Discipline in Anarchy
2012 · альбом
Rubin Steiner - Dexter
2012 · сингл
We Are the Future (Remixes)
2011 · сингл
We Are the Future
2011 · альбом
Gay & Proud
2011 · сингл
Take Your Time - EP
2011 · Мини-альбом
More weird hits
2008 · альбом
Weird hits, two covers & a love song
2008 · альбом
Drum Major
2005 · альбом
Drum Major
2005 · альбом
For Adults
2002 · Мини-альбом
Wunderbar Drei
2002 · альбом
Похожие исполнители
Bumcello
Исполнитель
High Tone
Исполнитель
CANNIBALE
Исполнитель
Wax Tailor
Исполнитель
Le Peuple de L'Herbe
Исполнитель
Degiheugi
Исполнитель
Zenzile
Исполнитель
Birdy Nam Nam
Исполнитель
Mansfield.TYA
Исполнитель
Puppetmastaz
Исполнитель
Doctor Flake
Исполнитель
General Elektriks
Исполнитель
Ez3kiel
Исполнитель
Dombrance
Исполнитель
Chinese Man
Исполнитель
Roudoudou
Исполнитель
Poni Hoax
Исполнитель
Sporto Kantès
Исполнитель
Биография
You never know what to expect from a Rubin Steiner's album" is a statement regularly repeated ever since the debut LP of Frederic Landier, a self-taught musician who has consistently tinkered with musical codes (whether electronic or other) since the early 2000's. Associated with the French Touch from the outset, although without having made the slightest piece of "conventional" house or techno, Rubin Steiner has always shied away from being artistically confined or straightjacketed and, most notably, he has managed to recreate himself with each new record, touring non-stop for the past 15 years with either a full band or as DJ. It is probably this idiosyncrasy which enabled him, on his 2014 release "Discipline In Anarchy", to play mainstream festivals and underground events. So when Rubin Steiner released this new entirely electronic album of deviant house and techno, no one was surprised. This is techno, yes, but pretty far removed, in a vein closer to James Holden, Four Tet, Ivan Smagghe, Chloé or Optimo; once again, it is difficult to put this album in a box, a genre or a style. But it is nevertheless apparent that this new facet of Rubin Steiner's work is once again quite distinctive but still deeply coherent in the evolution of his body of work. This record makes him one of the most inspiring figures in music today, a truly enjoyable prospect for anyone wanting to follow him on a tireless and exciting musical treasure hunt.