Альбомы исполнителя
Dark Hearts (Original Score from the TV Series)
2023 · альбом
Visions (Bande originale de la série télévisée)
2022 · альбом
Sentinelles (Bande originale de la série)
2022 · альбом
De son vivant (Bande originale du film)
2021 · альбом
The Illegal (Original Motion Picture Soundtrack)
2021 · альбом
Faux-Semblants (Bande originale du téléfilm)
2020 · альбом
Poly (Bande originale du film)
2020 · альбом
Inhuman Resources (Original TV Soundtrack)
2020 · альбом
SamSam (Musique originale du film)
2020 · альбом
Qu'un sang impur... (Bande originale du film)
2020 · альбом
The Insult (Original Motion Picture Soundtrack)
2018 · альбом
Zombillénium (Original Motion Picture Soundtrack)
2017 · альбом
Cézanne et moi (Bande originale du film)
2016 · альбом
La dernière leçon (Bande originale du film)
2015 · сборник
Boomerang (Bande originale du film)
2015 · сборник
Une mère (Bande originale du film)
2015 · сборник
De guerre lasse (Bande originale du film)
2014 · сборник
La voie de l'ennemi (Bande originale du film)
2014 · альбом
Un village français (Bande originale de la série)
2013 · альбом
L'Attentat (Bande originale du film)
2013 · альбом
Dignity (Original Television Soundtrack)
2013 · альбом
Borgia Season 2 (Original Soundtrack)
2013 · альбом
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Биография
Composer Eric Neveux was 25 when he met director François Ozon (Swimming Pool, 8 Women) and composed the score for his first long-form film, See the Sea. Ozon then asked him to score his first feature film, Sitcom. Shortly thereafter, Neveux began a long-term collaboration with Patrice Chéreau, scoring his film Those Who Love Me Can Take the Train (Cannes Film Festival Official Selection, 1997), followed by Intimacy (Berlin Film Festival Golden Bear award-winner, 2001), and Persecution, (Venice Film Festival, 2009). Eric Neveux has composed original music for 60 feature films, as well as a variety of scores for TV movies and series. Recent score highlights include two installments of director Rachid Bouchareb’s American Trilogy; Just Like a Woman (starring Sienna Miller and Golshifteh Farahani), and Two Men in Town(2014), with Forest Whitaker and Harvey Keitel; and later, Bouchareb’s film Road to Istanbul in 2016 (the last two being official selections of the Berlin Film Festival). Eric’s passion for independent film is further illustrated by his work on titles such as La Vie Domestique by Isabelle Czajka, Standing Tall (La Tête Haute) by Emmanuelle Bercot, the Cannes Film Festival’s opening film in 2015, The Attack (2013), and The Insult (2017), by Ziad Doueiri which was nominated for Best Foreign Language Film at the 90th Academy Awards.