Альбомы исполнителя
Rare Blues Grooves
2001 · альбом
Blues, Boogie And Bebop
1998 · альбом
Battle Of The Blues Volume 4
1972 · альбом
Battle of the Blues Volume 3
1972 · альбом
Jamming The Blues
1989 · альбом
Midnight Creeper
1989 · альбом
Blues In The Night Vol. 2: The Late Show
1987 · альбом
You Can't Make Love Alone
1971 · Мини-альбом
Blues In The Night, Vol. 1: The Early Show (Live)
1986 · альбом
Kidney Stew
1983 · альбом
Mr Cleanhead's Back in Town
1982 · альбом
Kidney Stew (The Definitive Black & Blue Sessions)
1978 · альбом
Cleanhead Vinson Anthology
2023 · сборник
The Original Cleanhead Cut
2021 · альбом
When The Sun Goes Down
2016 · альбом
Cleanhead's Back in Town
2015 · альбом
Backdoor Blues
2013 · альбом
Roomful With Vinson And Turner
2010 · сборник
Pioneers of Rhythm & Blues Volume 7
2008 · альбом
Kidney Stew Is Fine
2007 · альбом
Meat's Too High - Blues, Boogie & Bebop
2007 · альбом
Redux (Live at the Keystone Korner)
2003 · альбом
The Original Cleanhead
2003 · альбом
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Биография
An advanced stylist on alto saxophone who vacillated throughout his career between jump blues and jazz, bald-pated Eddie "Cleanhead" Vinson (he lost his hair early on after a botched bout with a lye-based hair-straightener) also possessed a playfully distinctive vocal delivery that stood him in good stead with blues fans. Vinson first picked up a horn while attending high school in Houston. During the late '30s, he was a member of an incredible horn section in Milton Larkins's orchestra, sitting next to Arnett Cobb and Illinois Jacquet. After exiting Larkins' employ in 1941, Vinson picked up a few vocal tricks while on tour with bluesman Big Bill Broonzy. Vinson joined the Cootie Williams Orchestra from 1942 to 1945. His vocals on trumpeter Williams' renditions of "Cherry Red" and "Somebody's Got to Go" were in large part responsible for their wartime hit status. Vinson struck out on his own in 1945, forming his own large band, signing with Mercury, and enjoying a double-sided smash in 1947 with his romping R&B chart-topper "Old Maid Boogie" and the song that would prove his signature number, "Kidney Stew Blues" (both songs featured Vinson's instantly identifiable vocals). A 1949-1952 stint at King Records produced only one hit, the amusing sequel "Somebody Done Stole My Cherry Red," along with the classic blues "Person to Person" (later revived by another King artist, Little Willie John). Vinson's jazz leanings were probably heightened during 1952-1953, when his band included a young John Coltrane. Somewhere along about here, Vinson wrote two Miles Davis classics, "Tune Up" and "Four." Vinson steadfastly kept one foot in the blues camp and the other in jazz, waxing jumping R&B for Mercury (in 1954) and Bethlehem (1957), jazz for Riverside in 1961 (with Cannonball Adderley), and blues for Blues Time and ABC-BluesWay. A 1969 set for Black & Blue, cut in France with pianist Jay McShann and tenor saxophonist Hal Singer, beautifully recounted Vinson's blues shouting heyday (it's available on Delmark as Old Kidney Stew Is Fine). A much later set for Muse teamed him with the sympathetic little big-band approach of Rhode Island-based Roomful of Blues. Vinson toured the States and Europe frequently prior to his 1988 death of a heart attack. ~ Bill Dahl, Rovi